| Charisma Palette Not for the faint-hearted, these colors move with brilliant clarity and blazing momentum. There is no room for inhibitions, these passionate hues reveal the darker side of human emotion where imperfections are celebrated. Opulent drama mixes with high-impact energy. Dense reds and sharp orange provide are a heated background for polished gray and blackened hues. |
A midrange gray that replaces brown as a neutral color for home decor. Masculine and easily combines with other colors. |
Charismatic red-based orange takes center stage, references youth market. |
aphrodisiac color, cross-gender attributes. |
A glossy, thick burgundy red, has metallic shimmer from automotive industry. |
From the dark side, inky purple black helps deep accents for home get noticed. |
| Urban Meditation Palette Dark blues from navy to indigo play a strong fashion role for 2007 moving into 2008. Nautical blues take their cue from the design of luxury ocean cruisers commissioned by the celestially wealthy. See them here translated as cool colors that reveal our need for safety and privacy in urban environments. |
An unpredictable camoflague gray-green. |
Gray-blue from contract furniture, often paired with bright yellow for warm, human effect. |
Mid-range teal blue, environmental air and water associations. |
Sea-faring color expresses desire for relaxing experiences. |
Inky, black blue. High gloss and metallic effects create drama and interest. Influences from transportation. |
| Energy Center Palette Bright colors are the visual language that help us navigate through life. Graffiti-style graphics denote a tribal nature, and represent an independent spirit. Transportation colors with special effect finishes are influenced by out-of-this-world vehicles and destinations, making sure the modern traveler never gets lost! |
powerful and dynamic, this is a digital, synthetic color found in fashion, communication and transportation. |
Ultra primary, intense red. Totally defining. |
Ochre Orange, reflecting old transforming into something new. |
Electric blue, connected with virtual living and online communities. |
Warm, vibrant sporty blue. Connects humanity with tech world. |
| Winter Garden Palette Dried, elemental shades from nature at this time of year remind us to savor, anticipate, and appreciate each moment. These colors encourage us to live outside the chaos of frenzied activity. Greens in this collection feel safe and familiar, while brown respresents protection and honesty. |
Signals preservation of the environment. |
Yellow-based green promotes health and healing, combines easily with other colors. |
A raw, hard-working color. Found in timber and hand-crafted items. |
A dark, mysterious green-brown. Based on nature with social reform themes. |
Spiced, yellow-orange with an exotic touch of the global bazaar influence. |
F/W 2007-08 Trend Palette
August 24, 2007 by ErikaFurnitex Show – Melbourne, Australia
July 19, 2007 by ErikaThis report just in from Damian Braniff who attended the Furnitex show in Melbourne, Australia. The show runs this year from July 19-22. This is a national show, featuring the works of innovative designers, craftsmen and manufacturers from around the country.
Damian made these observations:
A lot of natural materials – especially crafted heavy solid wooden furniture. The feature in wood was either end grain showing as a contrast or different types of wood used in together – well made and quite solid.
Not a huge amount of traditional period furniture as there was mainly Baltic or modern furniture. Anything Queen Anne or Louis 15th was looking out-moded. Though an interesting smattering of fine period furniture with decopage – quite feminine and modern.
Lighting looked organic and fluid in design – predominantly understated lamps, yet layered feature lighting like chandeliers behind a steel cage.
Materials are layered naturals with metallic contrast.
Citrus Showing at Neocon 2007
June 13, 2007 by ErikaNeocon was held once again at the Chicago Merchandise Mart June 11-14. This show features the best of the best for contract furniture, wall coverings, textiles, paint, flooring, and lighting.
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Citrus green accents at Steelcase |
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Earthy greens at Luna fabrics |
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American walnut was the wood of choice. Medium- tone brown stain. |
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Hand- stitched fabric appliques add an element of craft to sleek cubicles at Herman Miller |
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Close-up of applique |
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Mustard and curry gold |
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Bold floral prints in dark orange at Krug |
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Special effects: metallic bronze for textiles and wallcovering |
There was an overwhelming show of orange accent colors at this event. Bright oranges were favored, although rust oranges as seen in the Haworth showroom were evident as well.
Granny apple, fresh grass, and vivid citrus greens were still a popular accents. New greens looked more earthy, were dusted with brown undertones. The camo trend from the past few years in fashion has carried over into decor: olive, forest, and marsh grass are making strong inroads.
Lemon yellow is an up and coming accent hue, often combined with warm blue, gray and black.
Hot mustard and bright curry are new rising stars as well, seen used with cream, brown, and rusty orange.
Pink was off the radar, although magenta still made an appearance for this color family
Purples did not register, and if they did, they were light and sweet.
Although there was still a great showing of white, black had a stronger appearance.
Red had a strong orange undercurrent, and often appeared as a bright poppy.
Blue was represented mostly as dusty blue-green or warm ocean blues.
The neutral of choice was gray. They came in a wide variety, from blue-toned to a brown-infused version that was very close to taupe.
Favored metallilcs are gold, bronze and copper.
Eat Your Vegetables! A Japanese collaboration
June 4, 2007 by ErikaThis weekend my friend and fellow colorist from Tokyo, Chiemi Akiyama, came to visit Minneapolis. It is always an adventure when she comes. We might spend our time together at favorite local boutiques, looking for color merchandising and new design innovations. When we aren’t on retail detail, we always take some time out to enjoy food–either in new local hot spots, or by cooking something at home.
This visit was also special as Chiemi brought two guests from Japan. The visitors were Reiko Kiyono and Akiko Kawamura from Tokyo. I quickly learned these women are very talented and creative. Not only are they successful graphic designers, working for world brands like Sony Music and Shiseido cosmetics, but they are also accomplished restaurant owners. It is a remarkable pairing of businesses, talents and passions.
Reiko and Akiko in Red Wing
Reiko and Akiko had just come from a retail excursion in New York City. They had come to Minneapolis with Chiemi to shop in some of the local organic produce markets. They were also on a hunt for unique plates and dishes to use as food styling props in their latest cookbook. It gave me the chance to take them down to one of my favorite haunts in Minnesota–the little hamlet of Red Wing, tucked in a bend of the Mississippi River, home of the famous Red Wing pottery and dinnerware.
With the growing interest in whole food cooking and organically grown produce, I was very eager to learn more about what they do. One evening I sat down to talk to these two fascinating women, who have been business partners for 12 years. We talked about the business of design and food, and how color is deeply relevant to what they do.
Reiko is the president of the venture. She was trained in oil painting and illustration, and later found work as a graphic designer. At one point during the weekend, I learned she had even been a DJ at a latin music club! Akiko is the Vice President. She completed her training a the School of Visual Arts in New York, and moved back to Tokyo in the 1990s to become a graphic designer and art director.
Erika: To me it is very interesting that you’re merged graphic design and food…How did you manage to combine these two vastly different industries into one successful business?
Reiko: I think many creative people today have found success by integrating their interests. Instead of focusing on just one skill or career path, we have combined our experiences and interest to offer our customers different services. Ours happens to be using our talent as graphic designers with our passion for food, restaurants and catering services. Our design background helped us build a strong brand for the restaurants.
EW: I’m seeing this happen here as well…often we have graphic designers develop identity programs and interiors for restaurants, but they do not often design the menu as well! How did you get started on your current path?
Reiko: It is a tale that has some turns! After working at Sony for several years, I became tired of doing corporate design and was looking for something different. I knew that if I continued doing corporate work, I would lose interest in design, so I had to either try something else or get out altogether. I actually thought about going out and becoming a professional snowboarder!
Akiko: I was looking for work after I returned from New York, and found a job at Sony. Reiko and I became friends because we lived near each other and worked for the same company.
Reiko: It was important for me to meet someone like Akiko. Because she was so new to the business, and so full of passion for what she did, I was very inspired by her. So we started the agency called Double Ow Eight. The number 8 is the symbol for infinity, and in the Kanji text, it is the shape of Mount Fuji which is very lucky.
EW: Who is Double Ow Eight’s customer?
Akiko: Clientele range from the large Sony Music to Shiseido cosmetics to smaller accounts like Chiemi’s Colorworks company. It is nice for us to have a mix of large and small clients.
Reiko went on to explain the first joint venture the team endeavored upon was to work for licensing on Congo sportswear from London. They were asked to develop everything from new clothing to stationery. They tried to introduce more interesting, vivid and bold colors to the line of conservative sports wear products. An important discovery here was that vivid colors didn’t necessarily sell more clothing. It did teach them how to use color to create a more inviting and exciting atmosphere in retail areas.
Their second endeavor was designing a line of glass ware. They hired local craftsmen to hand-make glass pieces in Japan. A famous buyer from the Takashimaya department store ordered their entire line for the New York City store’s Christmas gift department. The primary colors were clear glass with white and red accents. The pieces were so popular, they even hand-carried product from Japan to New York in backpacks to make sure the store had enough stock! When the endeavor became time-consuming and production became difficult due to labor issues, they dynamic duo took their business in a different direction.
Reiko: In January of 2000, we decided to make a film!
EW: A film? You mean a full length movie?
Akiko: Yes, it was 50 minutes long!
EW: I’m sitting here talking to movie makers, too? Is there anything you two don’t do!? What made you decide to make a movie, and how long did it take?
Reiko: We didn’t have much money, so it only took a week to shoot. Then it took another three months to edit and produce the final cut. The whole movie is done in English with Japanese subtitles! The musican who did the soundtrack for the movie organized the first showing of the movie at a club. Later, we took the film on a city tour: Tokyo, Kyoto, Osaka, Nagoya, Okinawa, Kobe… I decided to become a vegan at that time because working was so hard on my body! I had to do something to help myself feel better.
EW: I want to see this movie!
Not long after the movie wrapped, they were approached by a furniture store owner who had just bought a building in the affluent Aoyama shopping area of Tokyo. His goal was to open a modern furniture store called Time and Style, and he wanted a cafe in the building. She jumped at the chance, because this would allow another way for her to be creative. Reiko said she told the owner she would run the cafe if they served vegan food.
Akiko: In October 2000, we opened the first Cafe 8 restaurant. We did not advertise that it was an all vegan menu because we didn’t want people to judge. We wanted everyone to come and have a good impression of the vegan food, interior and atmosphere of the place.
Akiko shows a sign
Reiko: Right away, people noticed this was not your average new restaurant in Tokyo. It was very different, and not just because of the menu! The walls change color every season, and changes the temperature of the space. From light blue in the summer, to red wine in the winter, the shade varies a little each year. We met Chiemi a few years later and launched the Wonderful Wall Exhibition. Cafe 8 became a place that promoted many events that celebrated art, music, lifestyle and food. Cafe 8 was a media in itself that could change to make any statement we liked.
Akiko: In 2003, Aveda opened a store in the Aoyama district. They asked us if we would like to open a cafe in their salon. It would be another vegan restaurant, only this one would be more casual in style. It is called the Pure Cafe.
Reiko: Our vision here was to have a black, white and silver interior–it contrasted with the natural tones Aveda uses for its brand and product packaging. We feel it appeals to a broader audience, not just women, and not just men! The food is also different here. It is quick food, done slow and organic, but still fast food like sandwiches.
Akiko: In 2004, we decided to close the first Cafe 8 restaurant. It was too close to the Pure Cafe, and the rent was very high there. We had to move the shop to a different location.
Reiko: So in 2005, we had no shop. All of our food business was done on the web.
EW: You did a catering business?
Reiko: Yes. Our menu and store was all done online. Then in 2006, the new Cafe 8 opened in Aobadai, near Shibuya in the center of Tokyo. It is a quieter neighborhood, and the pace is slower. The new Cafe 8 is more an everyday diner.
EW: Who is a customer at Cafe 8?
Reiko: Everyone! Some people come every day and order the same thing! The prices are lower than they were at the store in high-rent Aoyama. There is a deli corner also. We still do catering. (Here she looks at Chiemi) And Chiemi is one of our catering customers!
We did a special event last year and this year, for the Green Room Festival in Tokyo (the “green room” being surfer speak for the tunnel a giant wave makes as it falls). It is a surfers convention, and we were asked to run a vegan food stand. Our booth was green and white, to promote our green and healthy food!
Akiko: We have two vegan cook books. The first is a beginner cook book, the second is a little more advanced. The third book, coming out later this year, will focus on desserts.
EW: You’re making me hungy! I would love to go to Tokyo and visit Cafe 8. (I was lucky enough to enjoy some of the delicious Yoga cookies they make at the cafe).
The next day part of my wish came true: The four of us went to the local co-op and bought a basket of fresh organic produce to make a vegan feast. Reiko put on her chef’s hat and put my little kitchen in Minneapolis through its paces. In no time, I watched and took notes as she whipped up three vegetarian meals: stir-friend broccoli tofu with spring onions, portabello mushroom with tomato in turmeric seasoning, and acorn squash in a peanut butter and maple syrup sauce. I can’t tell you how delicious it all was! And not to mention colorful, too–a true feast for the eyes!
Reiko is right at home in the kitchen
The visit with Chiemi, Reiko and Akiko ended with them telling me they had forgotten about their recent jaunt in New York by visiting Minneapolis for a few days. It was the highest compliment these three styling ladies from Tokyo could have paid me!
The next time you’re in Tokyo and are looking for something unique to eat: here’s your chance. I guarantee you won’t find another place more authentically hip, healthy and cool on the planet.
China 2007
May 3, 2007 by Erika
The famous Chinese yellow can be seen everywhere on exterior walls
April 2007
I have had the pleasure of visiting China several times over the past few years. There isn’t one aspect of it that isn’t impressive. The ever expanding economy brings more people, more businesses, and awesome new architecture to cities everywhere within the country.
The past is always near in China. It strives to blend the best of old traditions with new culture as it focuses on the future. The techno lights and hyper bright colors of the new cities contrast greatly with the oxided Chinese reds, ancient golds and earthy wood browns from cities built ages ago. There are many treasures and wonders to behold.

Traditional colors in the Forbidden City
With this in mind, China prepares to host the world at the 2008 Olympics in Beijing. Tourists will be welcomed by a vast new airport, its scaled bronze roofline so vast the eye can’t see where it disappears on the horizon. The new stadium for the Games is designed to be an awe-inspiring testament to the new Chinese power. People will also become intimately familiar with the color and splendor found in the restored portions of the infamous Forbidden City.
The architecture in the new Soho area (Small Office, Home Office) of Beijing takes risks. Buildings slope, angle and slant in daring ways. Some of the skyscrapers are so twisted and irregular they look as if they were lifted from a sci-fi landscape.

Factory 798 in Dashanzi Art District
One of my favorite areas in Beijing is the Dashanzi Art District. It is about half an hour taxi ride outside of downtown Beijing. What was once an ammunition factory during the Cold War, has been reclaimed and turned into a rabbit warren-like maze of studios, galleries, coffee shops, book stores, tattoo parlours, clothing and jewelry boutiques. The most famous gallery is Factory 798, a massive industrial hall with clear light and vaulted cathedral-like ceilings. This place to me embodies all of the young creative energy happening in China today. Here you can stroll quietly for hours. There is something new to see around every corner, and (for now) hardly anyone is there except a handful of western tourists and locals who are in-the-know.
Shanghai holds its status as the country’s most fashionable city: the Pudong District is the newest neighborhood. There are still two French Concessions that have an old world, European flavor. In these neighborhoods, the streets come alive at night. The sound of music, traffic, and voices, and savory aromas of food lend an instant air of festivity. Pedestrians stroll past restaurants and clubs that are open 24 hours, and retail shops stay open until 11:00 PM. People get haircuts on the sidewalk well after midnight, and bikes and taxis are everwhere. It makes places like New York seem sleepy by comparison. I was told in the summer, it can be very warm. Most people do not have air-conditioning, and this is when people literally move out of their living rooms on to the sidewalk, and it becomes a community that lives outside.
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New studios in Shanghai.Riding around colorful vespa scooters, and wearing the latest camoflague togs and tattoos, the young urban Chinese are very fashionable. There are many boutiques and street vendors selling inexpensive, trendy clothes nearly everywhere. In Shanghai I even saw a skateboard shop, completely decorated in tag-style fonts and graffiti artwork. It could have been right at home in Los Angeles or Sydney. |
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Skateboard shop in Shanghai |
Shenzhen was another city we visited in the south. Twenty years ago, it was an agricultural area with a population of around 20,000. Because of its close proximity to Hong Kong, it has since grown into a city of around 12 million. Everything here is new, from the architecture to the streets to the colorful landscaping. I instantly fell in love with the shoes many of the young Chinese ladies were wearing, and found my way into a Shenzhen department store.
For the past several years, I (an avid shoe fanatic and collector) have stopped buying shoes because what I see in the US stores are so unbelievably boring! In China, every color, pattern and adornment you can think of for a shoe is available. Purple wedgies with a spray of grapes on the toe? You got it. Patent leather forest green pumps with a golden anklet to keep them on? There you go. Strappy sandals with a pattern etched into the heels (so you won’t ever see where you skinned it that time you were dancing on table tops!) Chunky boots. Done. Preppy khaki flats with golden bars on the toes…no problem. And of course, everything is priced to move. I could have spent a week and loaded three trunks full of shoes, but I restrained myself and only bought one pair–trimmed in brown leather with a wedge heel, pink and orange patterned tops, jeweled bouquet on the toe. Perfect for summer. And I can actually walk in them!!
Farbe 2007 – Koln, Germany
May 3, 2007 by Erika
The first time I visited Cologne (Koln), Germany was in the mid ’80s on a high school summer exchange program. When you’re a kid far from home in a foreign country, everything is a marvel. My classmates and I were awed by the gothic flamboyance of the Koln Dom (cathedral), the central attraction of the city. The two heaven-reaching towers, multiple flying buttresses, sneering gargoyles and stained glass windows were dazzling in their medieval splendor. It is a masterpiece that took over 700 years to complete. The Dom can hold 20,000 people and covers an area of 8,000 sq. meters. It is a well-known fact that Koln had been leveled during the Allied air raids of WWII. The story of how the Dom survived obliteration and stands today is a miracle.
I couldn’t wait to explore it.
In our youthful exhuberance, my classmates and I climbed the 800 time-worn, spiraling steps of the Dom’s south tower. From there we had an eagle-eye perspective of the western part of the city. Cars, pedestrians, bikes and train station all bustled on the narrow streets far below. What stood out as an anomaly in the middle of that typically European scene were the Golden Arches of a McDonalds restaurant. Famished from our climb, we raced down to get a taste of classic American fast food, one we hadn’t had for weeks. The experience was similar to craving an American coffee and dashing to the nearest Starbucks to get a fix! At that time, McD’s, Coca Cola and Nike were the only global brands we paid any attention to.
Koln has changed, of course, in the 20+ years since I had last visited. Despite constant renovation, the Dom looks blackened and worn from weather and pollution. Still, it defiantly endures, and the sight of it pulls fond memories of my younger years. The Koln I experienced this time showed more buildings, more cars, more shops…and of course, more global brands. A Virgin Records store. Toyota automobiles. Stella Artois beer. The Intercontinental hotel chain.
In Koln as elsewhere in Europe, there is very much a mixing of historical and modern architecture. Here we see one of 12 Romanesque churches in Koln, the Grosse St. Martin (1150 AD?).
It is located directly behind the folklorically colored shops on the Rhine promenade in the Old Town. Even though the neighbhorhoods look antique, many of them were rebuilt in the years after the war.
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Elsewhere in Koln a modern office complex offers roof-top dining with spectacular views. Colored lights create a theatrical backdrop in this sophisticated, contemporary restaurant. |
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The FARBE show held April 17-21 was well-attended. Three exhibition halls showed the best of the best from the European paint manufacturers and supporting industries. Exhibitors and attendees came from all over the globe: We met people from Europe, North America, South America, Asia and Australia. |
Special highlights of the show:
The Colwell booth featured the new Colwell brand. The fresh white and orange color scheme was showcased in a clean minimal, modernist style. The graphics were an attention-grabbing abstraction of the new Colwell logo.
The RAL booth showed color swatches mounted on a thin display full of bubbling, swirling water. It was an innovative way to highlight their new water borne product, created by Colwell.
There was an area in the exhibition dedicated solely to color and trendspotting.
Texture and pattern were just as important as color.
Interior colors ranged from midrange pastels to heavy and deep accents.
Red played an important role, as did black.
Exterior colors tended to stay in the midrange earthtones.
































